When the Art Students League celebrated its 125th anniversary, The New York Times listed a dozen “Luminaries of the League”. Amongst those names was Timothy J. Clark. His work has been the focus of numerous curated solo museum exhibitions, most recently at California’s Laguna Art Museum and at the Loyola University Museum of Art (LUMA) in Chicago. In collections including the Smithsonian/National Portrait Gallery, the City Museum of New York, Maine’s Farnsworth Art Museum, and the Butler Museum of American Art in Ohio, Clark stands as a modern master figurative painter known for his command of composition, drawing and color, moving the continuum of art language with commitment and power.
December 7, 2018 - March 31, 2019
Fort Smith Regional Art Museum
1601 Rogers Avenue
Fort Smith, Arkansas 72001
"Clark reminds us that watercolor is about how time looks and feels, special moments that can simultaneously resonate with a consoling past but be brought close to our reverberating present through a master’s knowing touch."
—Christopher Crosman, Curator
Tim with Wayne Thiebaud discussing drawing and art education at the Art Students League on May 15.
Chatting with Faith Ringgold in NY about her upcoming exhibition at the Tate
The Hilbert Museum at Chapman University, Orange, California has acquired two Timothy Clark paintings for their permanent collection.
The Polk Museum of Art at Florida Southern College opened its inaugural exhibition, The Figure in American Art, at their Affiliation Celebration on June 9th and included my watercolor painting, The Snake Charmer.
“Woven through Timothy J. Clark’s paintings are unique combinations of visual and emotional stimuli….His sense of space, light and composition combine to create graphic tensions which intrigue beyond the beautifully-painted forms of the subjects.”
—Will Barnet, N.A.
“Clark’s ostensibly forthright watercolors…not only are glittering in their execution – bathed in sunlight, swathed in shadow, shimmering with sure-handed yet expansive and textured brushwork on papers by Fabriano, d’Arches, and Winsor & Newton – but also embody the postmodern concept of art-as-idea. These are no ‘pretty pictures,’ but diffidently profound documents of human existence.”
—Dr. Lisa Farrington
“Timothy J. Clark’s delicious watercolors remind me of the Italian word for a particularly fluent, graceful, and refreshing performance in any of the arts – sprezzatura, which means making a difficult task look effortless, like the relaxed, soaring leap of a superb athlete who has spent years preparing for this moment of triumph.”
—Donald Holden, N.A.